Follow these hot tips for an authentically frustrating and stressful experience!
First, make sure the client is a friend of a family member – this means that backing out or saying “no” is that bit harder. Oh, and they’re only paying for the materials, not your time.
Next, make sure the client has no idea what you do or how a quilt is constructed. Ideally, they should also have no idea about size, colour or design and no apparent interest in discussing any of these points.
Lastly, time the commission so that it coincides perfectly with a really stressful event in your own life, such as a house move that falls through *after* you moved out of your old place.
Congratulations! Now you’re all set for maximum hair-pulling and ARGH! moments! 😀
Grizzling aside, I think it actually came out ok:
These are also the only WIP shots I have of this quilt, since I only got re-united with my camera a few days ago. I usually like to have a good progression of WIP pictures, but it simply wasn’t possible this time. 🙁 The brief was for a “king-size” quilt for a wedding at the end of August. However, I couldn’t get any dimensions other than the standard measurements for a UK king-size mattress, which I based the size of the centre panel on. And I did manage to eventually get a colour brief of “maybe blue, definitely NOT brown” and some fabric picks to work with. I took it upon myself to throw in some cream-coloured fabric to warm things up a smidge. Given the circumstances, I shamelessly chose the simplest design I could think of – rail fence with some sashing. I think it actually took me longer to figure out how to sort out the sequence of 2″ squares around the centre than it did to piece the rails together.
With the borders, the quilt has ended up being approximately 80″ x 90″, so it’s a bit on the small size for a “proper” king-sized quilt, but there should be at least a bit of spare quilt to hang over the edge of the bed. It’s also easily the largest thing I have quilted to date. Nearly all of the construction and quilting was done while camping out for three weeks with my aunt and uncle, so I’m feeling like it’s lucky there’s a quilt at all. Also, I now feel I very much owe my aunt and uncle a quilt too – this beast would never have reached the quilting stage if they hadn’t engineered a chance for me to borrow the floor of the local village hall to do the pin-basting on and let me take over half their dining table and living room with quilting stuffs.
The rail-fence centre is quilted in straight lines, with some wavy lines courtesy of the pre-programmed stitches of the Pfaff. Originally, it was all going to be only straight lines everywhere, but the cream border was crying out for something extra and luckily I’d bought some cream-coloured thread of exactly the right shade and weight, so I essayed a filler design of leaves to hold everything down and give it a necessary finished look.
It came out pretty well, I think, and I discovered an important truth about leaves – they can be almost any shape at all, but if they have a sort of point and a mid-vein then they’ll look like a leaf! I call this the “Quilter’s Fancy” Tree, aka the Lolwat? Vine.
It’s almost complete now – all that’s left is hand-finishing the binding, which I’m about half-way through already, and burying some thread ends from the quilting on the stripy outer edges. And I should probably sort out some manner of label to add to the back, once I discover the names of the happy couple…
Linking up with WIP Wednesday at Freshly Pieced, Let’s Bee Social, Free-Motion Mavericks (when it goes live), Can I Get A Whoop Whoop (when it goes live), TGIFF (when it goes live; I ought to be done with the binding by then!)